COP 28 Summit

Anette Sánchez Guzmán

Anette Sánchez Guzmán, an 18-year-old from Mexico, embodies a unique approach to fashion that intertwines self-expression with environmental advocacy. As a participant at the Conference of the Parties (COP), she utilizes her clothing as a powerful canvas to amplify her voice in the sphere of climate action.

Distinct Style as Visual Activism

Anette’s distinct style is a testament to her beliefs and passions. She hand-paints her coat as a form of visual activism, using her clothing to spotlight the intersection of fashion and climate activism. For her, fashion serves as more than just an aesthetic expression; it’s a platform for protest and a means to draw attention to critical global issues such as sustainability and the United Nations’ initiatives.

Cultural Significance of Hand-Painted Clothing

Hand-painted clothing carries diverse cultural significance across various traditions and communities worldwide, often serving as a canvas for storytelling, identity expression, and cultural preservation.

Symbolism in Indigenous Cultures

In many indigenous cultures, hand-painted garments symbolize a connection to ancestral traditions and narratives. The intricate designs and motifs painted on clothing often represent spiritual beliefs, mythologies, or histories unique to each community. For instance, among Indigenous tribes, traditional garments like ceremonial robes or regalia are adorned with hand-painted symbols that carry deep spiritual meanings, linking wearers to their cultural heritage.

Cultural Representation of Hand-painted clothes in Mexico

Hand-painted clothes in Mexico symbolize cultural heritage, artistic expression, and community identity. These garments often feature traditional designs from indigenous cultures, with regions like Oaxaca renowned for their vibrant textiles and intricate patterns. Each piece serves as a canvas for creativity, showcasing craftsmanship that can take days or even weeks to complete.

In Mexico, textile arts contribute significantly to the economy, with an estimated 60% of households involved in some form of textile production. Moreover, these hand-painted garments highlight environmental respect, as many artisans use natural dyes derived from plants. This practice fosters a sense of belonging, represents a collective cultural identity, and promotes sustainability, as it often encourages local sourcing and traditional techniques.

Fashioning a Message: Anette’s Blazer Statement

Her customised blazer, adorned with impactful words like “action,” “activism,” “sustainability,” and “United Nations,” serves as a bold statement. These words resonate deeply with Anette’s commitment to being an agent of change and echo the urgent call for climate action. They encapsulate not just her personal ethos but also symbolise the broader goals of COP and the global movement toward a more sustainable future.

Fashion as Silent Advocacy

In Anette’s eyes, fashion is a form of communication, a way to convey a powerful message without uttering a single word. Through her unique and personalised outfits, she advocates for environmental consciousness, inviting conversations and sparking awareness about crucial issues. Her DIY approach to fashion embodies sustainability, demonstrating that self-expression and activism can seamlessly merge in a visually striking and impactful manner.

Photo (c) Pamela EA

Atama Katama

Atama Katama: Custodian of Dayak Culture

Atama Katama, a member of the Dayak collective, an indigenous people from Borneo, shares insights into the significance of his traditional outfit and its connection to his cultural heritage. The intricate patterns and materials reflect over 200 distinct ethnic identities among the Dayak, who have a population of around 2 million.

Traditional garments are worn during significant ceremonies, highlighting the community’s cultural pride and commitment to sustainability, underscoring the Dayak’s vital role as stewards of Borneo’s rich biodiversity, which includes over 15,000 plant species and a wealth of wildlife.

Symbolism in Clothes

Atama’s outfit is steeped in symbolism, representing the holders of traditional knowledge within his community. The bells on his shirt serve as a symbol of connection, echoing the sacred link between sound, ancestors, and nature. His headwear, called a cigar, pays homage to his great ancestor, Akina Balu, the mountain grandfather. Donning the cigar during ceremonies symbolizes the presence of his revered ancestor, a tradition reserved for specific leadership roles within their culture.

Jewelry Crafted from Borneo’s Forest

Adorned with jewelry crafted from 21 seeds of the Borneo forest, each piece intricately selected and positioned, Atama highlights the spiritual process behind creating these pieces. Guided by nature and their spiritual beliefs, the selection and arrangement of these seeds are guided by intuition, respecting the energy of the land and the gifts from ancestors and nature spirits. His jewelry, also signifies respect for the forest’s resources, with Dayak communities practicing sustainable harvesting methods for generations.

Nature, Wisdom, and Ancestral Connection

Atama’s outfit and jewelry symbolize a profound connection to nature, cultural wisdom, and ancestral knowledge. They serve as conduits for storytelling, embodying the spiritual essence and teachings passed down through generations.

Cultural Pride and Environmental Stewardship

His representation of traditional clothes not only reflects cultural pride but also embodies sustainability by respecting and preserving the natural resources of Borneo. Atama’s insights offer a glimpse into the intricate relationship between clothing, culture, spirituality, and environmental consciousness within indigenous communities.

Photo (c) Pamela EA

Big Wind

Big Wind: A Narrative of Sustainable Fashion

Micah “Big Wind” Carpenter-Lott was born in Great Falls, Montana to an Aaniiih/Nakota/Ojibwe Father and Northern Arapaho Mother. Big Wind is a two-spirit member of the Northern Arapaho Tribe and is from the Wind River Reservation. Big Wind, alongside local Indigenous activists, organized Wyoming’s first Climate Summit on the Wind River Reservation. Committed to fighting racial, systemic, and environmental injustice, Big Wind emphasizes the importance of including Indigenous voices in Climate Action Plans (CAP).

In the ongoing discussion about fashion and sustainability, the blend of heritage, innovation, and eco-awareness tells a compelling story. From the intricate designs of ribbon shirts to the skilled craftsmanship behind plant-based accessories, these elements represent more than just style; they embody a deep connection to culture and the environment.

The Essence of Ribbon Shirts

Exploring the essence of ribbon shirts, a style resonating with both heritage and innovation, Big Wind reveals a profound admiration for their unique construction. They are a tribute to sustainability through ancient techniques, a homage to the gifts of the ecosystem transformed into wearable art.

Originating from European Trade Shirts, Indigenous Ribbon Shirts became a part of the clothing worn by various tribes. Bright silk ribbons, brought by Europeans, gained popularity for their vibrant colors. As calico fabric became available, Indigenous Peoples incorporated it into their clothing, creating shirts adorned with brooches, ribbons, and applique. These shirts became synonymous with Indigenous identity, particularly during the 1800s.

Legacy and Contemporary Significance of Ribbon Shirts

During the reservation period and the emergence of powwows, Ribbon Shirts were integrated into the regalia for these social events. Today, these shirts continue to be worn by people of all ages, made from a variety of fabrics and decorated in different styles, from simple designs to motifs representing the Four Directions.

The Significance of Plant-Based Accessories

The conversation with Big Wind also highlights the significance of accessories, such as the bolo tie crafted from plant-based materials. This accessory represents a fusion of culture and modern expression, drawing inspiration from nature’s colors and motifs, echoing indigenous traditions and reverence for the natural world.

Origins and Evolution of the Bolo Tie

The bolo tie, a classic western accessory, originated in the 1930s by Indigenous silversmiths in Arizona and New Mexico as a more casual alternative to the formal necktie. It evolved from bandanas tied around the necks of Indigenous men and gained popularity among ranchers and cowboys, eventually becoming internationally recognized.

Universal Significance of Fashion Heritage

Throughout the exchange with Big Wind, there’s a sense of shared stories across cultures, with colors and patterns echoing connections to nature, history, and identity.

Fashion as Identity and Commitment

The conversation with Big Wind underscores that sustainable fashion is not just about looks; it’s a reflection of identity, heritage, and a conscientious commitment to the environment. These narratives, blending tradition and innovation, showcase the potential to redefine fashion’s impact—one leaf, one one ribbon, and one meaningful conversation at a time.

Photo (c) Pamela EA

Chizoba Nzeakor

Chizoba Nzeakor: Fusion of Fashion and Cultural Storytelling

Chizoba, a visitor from Nigeria attending COP28, stands as a testament to the fusion of fashion and cultural storytelling in the realm of sustainability. Her clothing, a captivating ensemble rich in African heritage, serves as a poignant narrative highlighting the resilience of African women amidst the challenges posed by climate change.

African Heritage in Clothing

With a deep-rooted connection to her identity, Chizoba intentionally adorns herself in traditional garments daily at COP events. Her chosen outfit, a fabric intricately depicting the struggles and resilience of African women facing the harsh realities of the climate crisis, portrays images of women carrying water and firewood—a visual ode to the burdens faced by many in remote villages.

Transnational Reach of African Craftsmanship

Proudly hailing from Ghana, Chizoba’s clothes — though acquired in Nigeria — originate from Ghana, showcasing the transnational reach of African craftsmanship. Each fabric she procures holds a story, and Chizoba ensures she learns the narrative behind every piece, embracing the tales and culture woven into the textiles.

Symbols of Specific Heritage

Her clothing not only tells the distinct story of African woman experiencing climate change, but the print itself reflects the impact climate change will have on women in the continent. Depicting women carrying pots, symbolizing strength and resilience, these images highlight the vital role women play in communities, particularly in the context of climate change.

In Sub-Saharan Africa, women are responsible for fetching water in areas where access is limited, with some traveling over five miles daily, and they contribute to 80% of food production. As climate change exacerbates issues like drought—predicted to affect 80 million people in Africa by 2050—women increasingly bear the burden of these challenges.

By incorporating these themes into textiles, artisans not only preserve cultural narratives but also raise awareness about the intersection of gender, climate change, and sustainability, emphasizing the need for policies that empower women in resource management.

Fashion as Cultural Expression and Climate Advocacy

Chizoba uses fashion as a way to express her cultural identity and advocate for climate action. Her colorful outfit and the stories behind it showcase the connection between tradition, identity, and sustainability.

Photo (c) Pamela EA

Banyan

Bayan’s Fashion Fusion: A Tribute to Versace and Heritage

Bayan’s choice of clothing today — a striking gold and black dress — holds profound significance for her. These colours, emblematic of the Versace brand, resonate deeply with her as a personal favourite. Expressing her support for the brand, she cherishes each piece she wears.

Cultural Heritage in Clothes

Recently, she adorned a traditional Palestinian garment, which holds immense value given the current global circumstances. For Bayan, every garment encapsulates a story, representing a blend of contemporary, modern, and traditional elements. The prints and colours evoke sentiments that connect her to her roots in Jordan.

Supporting Local Artisans

One particular piece she adores was handcrafted by a local designer in Jordan. Bayan passionately supports local artisans and designers, valuing their craftsmanship and uniqueness. Her fashion choices reflect not just her style but also her commitment to sustainability and supporting local communities.

Bayan’s Fashion Narrative

In this contemporary yet culturally rooted clothing, Bayan showcases her appreciation for traditional craftsmanship and her dedication to sustainable fashion, a fusion of style and meaningful storytelling.

Photo (c) Pamela EA

Tunaimati’a Jacob Netzler

Traditional Attire with a Modern Message

Pacific Campaigner Tunaimati’a Jacob Netzler hailing from the vibrant islands of Samoa, embodies the essence of sustainable fashion through his outfit. His attire not only represents the customary business and formal wear of his homeland but also encapsulates a deeper narrative.

The Efi Tanga: A Symbol of Comfort and Culture

Starting from the bottom, Netzler wears an Efi Tanga, a lightweight wraparound essential in the island’s heat, ensuring comfort and breathability. Traditional Samoan clothing for men often includes garments like a lavalava (also known as an ie or tupenu), which is a type of wraparound skirt made from a single piece of fabric. The term “Efi Tanga” could be a regional or local variation, or a term specific to certain ceremonial or formal wear within Samoa.

The Ula Fala: Red and Royalty in Samoan Culture

In Polynesia, red traditionally signifies royalty, reserved exclusively for chiefs and leaders to honor their culture. The ‘Ula Fala necklace, crafted from dried pandanus fruit and painted red, symbolizes chieftainship in Samoan culture. The Matai (family chief), talking chief, orator, or high chief, wear the ‘Ula Fala’ during special occasions and functions, underscoring leadership and responsibility within the community.

Tunai’s Role at COP 28: A Symbol of Resilience

Netzler’s choice to wear the Ula Fala at COP 28 resonates deeply, emphasizing his role alongside Pacific negotiators in advocating for climate goals, crucial for small island nations like Samoa facing existential threats from climate change. For small island nations like Samoa, this isn’t just an abstract concern; it’s an existential battle, a fight for survival in the face of climate change’s life-or-death impact on their communities.

Fashion as Advocacy: A Powerful Statement

Netzler’s outfit speaks volumes, not merely as a fashion statement but as a poignant reflection of the urgent fight for environmental sustainability and the preservation of island cultures against the imminent threat of climate change. His presence at COP 28 embodies the determination and resilience of island communities, underscoring the gravity of the climate crisis and the crucial need for global action.

Elenita Sales

Elenita Sales: A Story of Purposeful Look at COP 28

During our interview with Elenita Sales, environmentalist and activist from Brasil, originally from the small town of Tupã in the state of São Paulo, Brazil, she expressed the importance of storytelling through clothing, emphasizing that clothes can convey deeper meanings beyond aesthetics. Elenita highlighted each element of her outfit, revealing its origins and significance, providing a narrative that enriches our understanding of sustainable fashion.

Origins of Sales’ Outfit

Elenita’s outfit is an example of her commitment to sustainability. Her pants and shirt are sourced from Goodwill, supporting both environmental conservation and community empowerment. At Goodwill, she explained, individuals—often recovering addicts—receive training and support, a cause close to her heart. Goodwill has long been a leader in sustainable fashion and social impact, contributing to environmental conservation and providing vital job training for underserved communities. It is important to note that while Goodwill’s efforts to recycle clothing and fund social programs are commendable, some have raised concerns about the global impact of second-hand clothing exports, particularly in relation to developing countries.  This is an ongoing conversation worth exploring for its cultural nuances, recognizing that the conversation about textile recycling and sustainable fashion should focus on creating solutions that benefit everyone, from the local communities receiving the donations to the ones producing clothing in both developed and developing countries.

A New Addition and a Gift of Gratitude

Elenita’s new shoes were a practical addition for the extensive walking at COP 28, a conscious decision amidst her predominantly second-hand clothing choices. She also carried a hat with her, a gift from the Madagascar pavilion, as a symbol of gratitude for her collaboration during their panel. Madagascar has long been a champion of sustainable development, with initiatives focused on preserving its biodiversity and addressing climate change challenges.

Earrings: Symbolizing Resistance and Resilience

Elenita’s earrings, sourced from Panama, honor indigenous communities who are combating the destructive effects of extractivism in Latin America. These communities, many of whom are on the frontlines of climate resilience, advocate for sustainable practices to protect their lands and resources. Indigenous groups manage 80% of the world’s biodiversity-rich lands, which play a crucial role in combating global warming. In Panama, indigenous peoples like the Ngäbe-Buglé and Guna Yala have long resisted mining and logging projects that threaten their forests and waterways. These communities, facing challenges from extractivism, inspired her to advocate for sustainable practices beyond renewable energy transitions, promoting holistic changes that honor their resistance and encourage environmental stewardship.

Climate Change and Global Impact

Both Panama and Madagascar face unique challenges from climate change. Panama, a small Central American country, has seen its coastal ecosystems and rainforests threatened by rising sea levels and deforestation. The Panama Canal, a vital waterway for global trade, is increasingly affected by droughts and changing rainfall patterns. In Madagascar, unpredictable weather patterns, extreme droughts, and the loss of biodiversity are disproportionately impacting rural communities, whose livelihoods rely on agriculture and fishing.

Conclusion

Elenita’s outfit at COP 28 not only reflects her values but also embodies a narrative of resilience, sustainability, and global solidarity. It serves as a powerful example of how fashion can become a platform for advocacy, cultural exchange, and environmental consciousness in international settings. Her story encourages us to rethink our approach to clothing, viewing each piece as a vessel for meaningful dialogue and positive change. Fashion, when aligned with purpose, can transform conversations about sustainability and cultural awareness.

Elenita Sales / (c) Pamela EA

Mayu Ogawa

Mayu Ogawa: Fashion as Sustainable Artistry and Cultural Preservation

Mayu Ogawa, a Japanese environmentalist and artist, uses fashion to blend sustainability, cultural preservation, and creative expression. At COP 28, her outfit showcased this dedication, highlighting the intersection of heritage and eco-conscious fashion.

The “Namaiwanari”: A Masterpiece of Craftsmanship

The centerpiece of Mayu’s ensemble was the Namaiwanari, a hand-painted garment by the renowned Japanese artist Yuki Yamamoto. The garment, valued at over $40,000, combines traditional Japanese painting techniques with modern design aesthetics. The Namaiwanari draws inspiration from the rich history of ukiyo-e woodblock prints, a traditional Japanese art form that dates back to the 17th century. Through this modern interpretation, the garment honors Japan’s artistic heritage while promoting sustainable practices.

Eco-Conscious Footwear and Creative Flair

Mayu paired the Namaiwanari with sneakers from Japan, customized with repurposed ribbon laces as a creative alternative to traditional laces. This practical yet artistic choice reflects her commitment to personalizing her fashion. Japan has long been at the forefront of innovation in sustainable design, with companies like Muji and Comme des Garçons leading the way in low-impact, minimalist fashion.

Sustainability and Cultural Advocacy

Fashion, for Mayu, is a platform for advocating environmental and cultural preservation. Her ensemble at COP 28 merged Japan’s artistic traditions with contemporary sustainability efforts. She champions kintsugi—the centuries-old art of repairing broken pottery with gold—as a metaphor for her approach to fashion: repairing and reimagining rather than discarding. This technique, which originated in the 15th century, has influenced Mayu’s belief in the power of reusing and restoring rather than replacing.
Fashion as Cultural Preservation

Mayu’s clothing choices serve as a tribute to Japan’s rich cultural history. She wears garments that celebrate Japanese craftsmanship, such as sumi-e (ink painting) and shibori (tie-dyeing), both of which date back centuries. By supporting artisans who uphold these traditions, she helps preserve these art forms in a modern, sustainable context. Mayu believes that fashion can honor cultural history while embracing eco-friendly solutions that minimize waste, using traditional methods that have stood the test of time.

Conclusion: Fashion as Purposeful Expression

At COP 28, Mayu’s outfit was a powerful statement of advocacy, merging sustainability with cultural preservation. By emphasizing the interconnectedness of art, tradition, and eco-conscious fashion, she encouraged mindful choices that respect both the planet and cultural heritage. Fashion, when aligned with purpose, can drive global change and transform our approach to environmental responsibility.

Francis Mendy

Francis Mendy: Embracing Tradition in Clothing

Meet Francis Mendy, a proud individual hailing from the Gambia in West Africa. Francis embodies the fusion of tradition and style through his choice of clothes, donning a kaftan that encapsulates his cultural roots. Francis is drawn to the kaftan, considering it an emblem of his heritage and a piece that speaks volumes about his origins.

The Kaftan: Symbol of Heritage

Intriguingly, Francis sees his clothing as a reflection of his homeland’s religious diversity, with a predominantly Muslim population complemented by a Christian minority. Despite his Christian faith, he embraces the kaftan, which holds Middle Eastern influences, echoing the rich tapestry of his Gambian culture—a culture deeply entrenched in religious values. The kaftan in The Gambia has Middle Eastern origins, and the style was influenced by Islamic culture. However, it has been adapted with local Gambian aesthetics, blending traditional African fabrics with the Middle Eastern cut and style.

Connecting to Home Through Clothing

For Francis, Sundays are a cherished opportunity to evoke the essence of his homeland, even when away. His choice of clothing reflects a desire to stay connected to his traditions and roots, reminiscent of the garments he would typically wear on Sundays back home, especially while attending church.

The Role of Spousal Influence and Sustainability

Not particularly attuned to the intricacies of fashion, Francis entrusts the selection of fabrics and designs to his wife, acknowledging her innate understanding of how he should present himself. He opts for a sustainable approach, procuring the material and engaging a tailor to craft the kaftan—a process that not only upholds his cultural heritage but also aligns with principles of sustainable fashion by supporting local artisans and traditional craftsmanship.

Clothing as Cultural Preservation and Sustainability

Francis Mendy’s story highlights how clothing is more than just that. It is a way to preserve culture, identity, and tradition while also embracing sustainability through mindful choices and craftsmanship.

Photo (c) Pamela EA

Maitin Yumon

Maitin Yumon, originally from Myanmar, embodies a commitment to sustainable fashion and cultural heritage through her outfit. Clad in a vibrant, meticulously woven blouse, she proudly showcases the craftsmanship of indigenous women from the Cho community in northwestern Myanmar. Each thread in her garment represents a narrative, with the bold red hue symbolizing the courage and resilience of these skilled artisans.

Fashion as Cultural Expression

Accentuating her ensemble is a bracelet sourced from the Shun state, boasting a myriad of hues, each telling its own story. Maitin’s fashion choices encapsulate not only style but also a profound connection to local traditions and craftsmanship, underlining the importance of preserving and promoting indigenous artistry in the realm of sustainable fashion.

Clothes as a Narrative of Tradition and Purpose

Her clothing serves as a testament to the intersection of fashion, culture, and sustainability, showcasing the beauty and significance of garments woven with heritage and purpose. Through her choices, Maitin celebrates the diversity of craftsmanship while advocating for a fashion industry that honours cultural narratives and promotes environmental consciousness.

The Story Woven Within Threads

Maitin Yumon’s outfit transcends mere clothing; it’s a tapestry woven with cultural significance and heritage. Her blouse, meticulously crafted by indigenous women from the Cho community in northwestern Myanmar, embodies generations of tradition and expertise passed down through time. Each thread tells a story, not just of craftsmanship but of the community’s values, beliefs, and resilience.

The Symbolism of Red

The vibrant red hue of her blouse symbolises more than just a colour choice; it represents the courage and fortitude of the Indigenous women who intricately wove it. This colour, deeply rooted in their culture, carries an emotional weight, reflecting the strength and bravery of these artisans. Through her clothing, Maitin pays homage to their artistry and celebrates their cultural identity.

Advocating Through Adornment

Moreover, the bracelet adorning her wrist, originating from the Shun state, is a kaleidoscope of colours, each shade reminiscent of tales, traditions, and landscapes. Its intricate design encapsulates the diversity and richness of Myanmar’s cultural heritage. By wearing these pieces, Maitin not only honours skilled craftsmanship but also advocates for the preservation and recognition of Indigenous traditions within the realm of sustainable fashion.

Garments as Cultural Repositories

Her clothing choices stand as a testament to the intricate relationship between fashion and cultural identity, demonstrating that garments are not just fabric but repositories of history, customs, and stories. In championing these artisanal creations, Maitin underscores the imperative of preserving cultural diversity and promoting sustainable practices within the fashion industry.

Natalie Chung

Natalie Chung, a climate advocate and researcher hailing from Hong Kong, embodies her commitment to sustainability through her fashion choices.

Championing Inclusivity through Pre-Loved Fashion

Clad in a secondhand romper and a necklace adorned with an array of gems, she champions a message of hope, and showcases the power of pre-loved fashion.

The sunflower holds profound cultural significance across various societies, often revered for its symbolism beyond its physical beauty. In Natalie’s context, wearing the sunflower as part of her clothing during COP 28 becomes a poignant statement echoing far beyond fashion.

Inspiring Optimism and Resilience

The sunflower symbolizes universal positivity and resilience, reflecting innate optimism even in adversity. In Hong Kong, it gained symbolic significance during pro-democracy protests, representing unity and hope amid challenges. This inherent quality resonates deeply with Natalie’s intention to convey a message of optimism amidst the overwhelming climate challenges discussed at COP 28. Natalie uses it to inspire determination and optimism, urging community engagement in shaping a sustainable future.

Within the cultural fabric of Hong Kong, the sunflower has gained symbolic significance in recent years. During the city’s pro-democracy protests, it emerged as a symbol of hope and unity. Its vibrant yellow petals became emblematic of resilience, as citizens stood together advocating for change despite facing significant challenges. It’s a visual representation of resilience, fostering a collective sense of hope and empowerment despite the enormity of the climate crisis.

A Beacon of Hope

Acknowledging the prevailing sentiment of helplessness towards climate action, particularly among the youth, Natalie underscores the significance of their active involvement. She believes in using fashion as a tool to express optimism and positivity, steering away from pessimism and the notion of climate doomers. Through her clothes, Natalie aims to inspire a sense of hope, encouraging proactive steps towards sustainability rather than succumbing to a belief that individual actions are futile.

In her embodiment of sustainable fashion and advocacy, Natalie Chong stands as a beacon of hope, demonstrating that every choice, even in clothing, holds the potential to inspire change and foster a brighter, more sustainable future.

Photo (c) Pamela EA

Philgona Amolo

Philgona Amolo, an environmental advocate from Kisumu, Kenya, has been a prominent voice in sustainable practices. She is an active member of multiple environmental and social advocacy groups, contributing significantly to sustainable fashion and climate change awareness.

She is a member of Kisumu Environmental Champions, Black Girls Rising, Fridays for Future Kenya, and Food at Scope. Philgona’s passion for environmental conservation is evident in her outfit choices, reflecting her commitment to sustainability.

Symbolism in Accessories

Starting with her hair, Philgona showcases a braided hairstyle, celebrating her cultural roots. Her accessories, adorned with butterflies, symbolize her dedication to reusing plastic materials creatively instead of discarding them, emphasizing beauty in sustainability.

Vibrant Colors Reflecting Passion

Her vibrant outfit, from her T-shirt to her nails and accessories, reflects a love for color and fashion while amplifying social and environmental causes. Philgona’s nails showcase various shades, and her bracelet symbolizes Kenya’s essence and supports LGBTQ rights. Through bold colors and symbolic accessories, she uses fashion as a powerful tool for change.

Philgona’s Fashion Statement for Change

Philgona’s dedication to sustainable fashion and environmental activism stands out through her thoughtful outfit and represents her ongoing efforts to promote change and awareness in her community.

Photo (c) Pamela EA

Professor Liz Bentley

Professor Liz Bentley: Climate Authority from the UK

Professor Liz Bentley, the esteemed leader of the Royal Meteorological Society in the UK, stands as a distinguished authority in weather and climate sciences. With a rich reservoir of expertise, she arrives at global climate gatherings like COP with not just knowledge but also a potent visual representation—a remarkable scarf that speaks volumes about historical temperature trends.

The Symbolism of the Scarf

Hailing from the UK, Liz brings forth a scarf adorned with vertical lines, an embodiment of climate history. Each stripe corresponds to a year from 1850 onward, with blue representing cooler years and red signifying warmer ones. This distinctive accessory offers a visual conversation piece, vividly highlighting the dramatic shifts in global temperatures over time. Its design provides a straightforward illustration of climate change, bypassing complex data and offering a clear, accessible depiction of rising temperatures.

In 2017, Ellie Highwood crocheted a “global warming blanket” as a baby gift for climate-scientist parents. Each of its 100 rows represented a year’s global temperature from 1916 to 2016, unknowingly creating a symbol of climate change awareness that would resonate far beyond its intended purpose. The concept was adopted by Professor Ed Hawkins, an IPCC climate scientist at the University of Reading, with each stripe marking a year, transitioning from cool blues to warm reds to reflect over 150 years of temperature change.

Sustainability in Attire

Beyond this emblematic scarf, Liz’s commitment to sustainability extends to her choice of attire. In the warm climate of COP sessions, she dons an organic cotton dress, mindful of the textile’s environmental impact. Her decision reflects a conscious effort to support eco-friendly fashion by opting for organic cotton, which reduces the ecological footprint compared to conventional cotton production. Embodying her values, the dress not only keeps her comfortable but also resonates with her love for vibrant blue tones, complementing her style.

Liz’s Presence and Advocacy

Professor Liz Bentley’s presence at COP transcends mere expertise; it’s a deliberate testament to the urgency of climate action. Her scarf serves as a poignant visual aid, unraveling the narrative of climate change, while her eco-conscious attire exemplifies a dedication to sustainable practices—a compelling fusion of scientific advocacy and personal ethos for a more environmentally conscious future.

Photo (c) Pamela EA

Qihui Gao

Qihui Gao: Embodying Sustainable Fashion and Cultural Exchange

Qihui Gao, a delegate from China, embodies the essence of sustainable fashion and cultural exchange through her clothes. During an interview, Gao shared her background and connection to her outfit—a skirt from general wear and a shirt resonating with Buddha style, purchased during a trip to Tibet. Her choice to wear this ensemble was not solely for its aesthetic appeal but also as a representation of cultural significance and personal appreciation.

The “Buddha style” of dressing emphasizes simplicity, comfort, and mindfulness, often featuring loose-fitting garments made from natural fibers like cotton and linen. Characterized by earthy, muted tones—such as browns, greys and greens—it reflects a connection to nature and spiritual values of modesty and humility. In Tibetan culture, loose-fitting garments like the ones in Buddha style are not only practical but also deeply tied to meditative practices. For example, monks wear similar clothing during prayer and meditation to enable freedom of movement, facilitating a deeper connection to the body and spirit. Gao’s outfit mirrors these principles, encouraging a focus on inner peace rather than external fashion trends.

Cultural Significance of Gao’s Shirt

Gao’s shirt, bearing the essence of Buddha style, holds profound cultural significance beyond its visual allure. Purchased during her expedition to Tibet, this garment embodies a cultural narrative that transcends mere fashion. Tibetan traditional clothing carries deep meanings, with distinct garments like the chuba (a long, warm robe) often worn by both men and women. The chuba symbolizes identity, community ties, and social status. The colors and intricate patterns of these garments often represent the wearer’s clan or ethnic group, while ceremonial items like the gakhal (traditional hats) and khata (ceremonial scarves) embody respect, goodwill, and blessings.

Tibetan clothing is traditionally crafted from wool, yak hair, and silk—materials chosen not only for their practicality in the cold mountain climate but also for their spiritual and symbolic meanings. For example, the use of red in Tibetan garments is associated with protection, while yellow often represents spiritual awakening. Gao’s shirt likely incorporates these symbolic colors and patterns, linking her to Tibetan cultural heritage.

Tibetan Clothing as Spiritual Reflection

In Tibetan culture, clothing is considered a reflection of spirituality, deeply intertwined with the region’s Buddhist practices. Traditional garments like the chuba and its accessories carry symbolism that reflects Tibetan beliefs and the teachings of the Buddha. Gao’s shirt, which draws inspiration from these designs, could feature spiritual motifs representing Buddha’s teachings or the cool blues of the Himalayan sky.

By wearing this shirt, Gao honors the spiritual richness of Tibetan culture, acknowledging its philosophical and artistic traditions. Tibetan craftsmanship is renowned for its intricate designs and the spiritual messages embedded in every piece, whether it’s the carefully woven patterns of textiles or the symbolic adornments crafted by skilled artisans.

By choosing this shirt, Gao embraces and respects the rich heritage of Tibet, acknowledging the depth and beauty of its cultural traditions. Through her clothes, she pays homage to Tibetan craftsmanship, honoring skilled artisans who intricately weave stories and beliefs into their creations.

Personal Connection and Cultural Exchange

For Gao, this shirt is more than just a piece of clothing—it’s a personal connection to her experiences in Tibet. During her travels, she encountered not only the beauty of the region’s landscapes but also the spiritual depth and cultural wisdom of the Tibetan people. Wearing this piece serves as a tangible reminder of her immersive journey and meaningful encounters with Tibetan culture, and it carries the spirit of cultural exchange. Each time she wears the shirt, it invites new conversations about cultural diversity, respect, and the deep connection between people and place.

Clothing as a Symbol of Cultural Dialogue

When Gao wears this piece at the conference, she’s not just showcasing fashion; she’s sparking a cultural conversation. Her clothing acts as a bridge between Eastern and Western cultures, encouraging others to ask questions, learn, and appreciate the richness of different cultural heritages. In a world where fast fashion often leads to homogenization, Gao’s outfit is a celebration of local craftsmanship, spirituality, and the sustainability inherent in traditional practices. It serves as a conversation starter that invites cross-cultural understanding, and promotes mutual appreciation among attendees from diverse backgrounds.

Photo (c) Pamela EA

Raeesah Noor-Mahomed

Raeesah Noor-Mahomed hailing from South Africa, shared a profound connection between her fashion choices, personal experiences, and her journey towards sustainability. Her wardrobe isn’t just an assemblage of garments; it’s a canvas of memories, values, and self-expression.

Fashion as Heritage and Sustainability

Her clothing choices, largely inherited from her mother or sourced from thrift stores, intertwine with her sustainable ethos. The pants, a treasured relic from her mother’s wardrobe, symbolize a link to her family heritage. Her deliberate choice of vegan shoes from KOI Footwear underscores her commitment to sustainability, aligning her fashion preferences with her ethical principles.

Symbolic Souvenirs and Thrifted Finds

The top, a thrifted find from Glasgow, obtained during COP 26, represents not just a piece of clothing but a souvenir from a significant event. It’s a testament to her inclination towards second-hand fashion and her support for reducing the environmental impact of clothing production.

Makeup as Self-Expression and Radiance

Her makeup style, vibrant and adorned with sequins, speaks volumes about her quest for self-expression and radiance. Beyond being a mere cosmetic choice, it’s an embodiment of her inner joy and the desire to shine bright, particularly during times of self-doubt and struggle. The glitter and sparkles she incorporates into her everyday makeup reflect her vibrant personality and her belief in embracing positivity.

Jewelry as Tokens of Empowerment

The jewelry holds an even deeper significance, notably the bracelet inscribed with “you are joy.” Crafted after her time at the climate justice camp, this accessory serves as a constant reminder of the love and acceptance she experienced there. The camp became a haven where she felt appreciated for her true self, instilling in her a sense of empowerment and authenticity. This bracelet encapsulates a moment of self-affirmation and resilience, a tangible reminder of her journey toward self-love and acceptance.

Fashion Narratives of Resilience and Growth

Raeesah’s fashion choices, makeup preferences, and cherished accessories all encapsulate her journey, not just in style but in embracing sustainability, self-expression, and the pursuit of joy despite life’s challenges. Each garment, each cosmetic sparkle, and every piece of jewelry carries within it a story—a testament to her resilience, values, and personal growth.

Photo (c) Pamela EA